Street Photographer Mitchell Funk uses a Nikon Z8 mirrorless megapixel camera to photograph the screen of a Times Square tourist's cell phone camera. The resulting image is a photograph of a photograph on location and raises questions about the ubiquitousness of image takers. Funk's image is defined by its hyper-saturated reds, punchy magentas, and rectilinear graphic composition. br The color of the print is more vibrant than the Artsy version. br This archival color photograph by Mitchell Funk is signed, dated and numbered 3\\u002F15, lower right recto. Other sizes are available and the fine art photograph is unframed and printed later. Printed on Hahnemühle Fine Art paper br Can a street photograph be a grab shot and precisely designed at the same time? Mitchell Funk says yes. He brings finely honed photography skills such as composition, intense lighting, and design to found subject matter. Mitchell Funk brings the compositional precision of studio photography to street photography. Unlike most street photographers, Funk is an abstractionist while being a documentarian. Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur" . 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color ! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek, Fortune, New York Magazine and Life Magazine among others