Colorful locks hanging from a wire above the Brooklyn Bridge are set against a blurred yellow br New York City Taxi Cab. They form an unexpected, ambiguous, abstract image composed of intersecting diagonal planes. There is a great diversity of locks, from a typical padlock to a combination lock. Together, the parts form a whole. This archival color photograph by fine art photographer Mitchell Funk is signed, numbered 3\\u002F15, dated, and titled in the lower right recto. Other sizes are available and the fine art photograph is unframed and printed later. Printed on Hahnemühle Fine Art paper br Bio: Can a street photograph be a grab shot and precisely designed at the same time? Mitchell Funk says yes. He brings finely honed photography skills such as composition, intense lighting, and design to found subject matter. Mitchell Funk incorporates the compositional precision of studio photography into street photography. Yet unlike most street photographers, Funk is an abstractionist while being a documentarian. Mitchell Funk is a pioneer of " Color Photography." In 1970, he participated in one of the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur" . 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. The Smithsonian American Art Journal Fall, 2025. Color ! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek, Fortune, New York Magazine, and Life Magazine, among others