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Hilla Rebay, Portrait of a Woman, Paper Collage, ca. 1930s
Hilla Rebay, Portrait of a Woman, Paper Collage, ca. 1930s
Hilla Rebay, Portrait of a Woman, Paper Collage, ca. 1930s
Hilla Rebay, Portrait of a Woman, Paper Collage, ca. 1930s
Hilla Rebay, Portrait of a Woman, Paper Collage, ca. 1930s
Hilla Rebay, Portrait of a Woman, Paper Collage, ca. 1930s
Hilla Rebay, Portrait of a Woman, Paper Collage, ca. 1930s
Hilla Rebay, Portrait of a Woman, Paper Collage, ca. 1930s
Hilla Rebay, Portrait of a Woman, Paper Collage, ca. 1930s
Hilla Rebay, Portrait of a Woman, Paper Collage, ca. 1930s
Hilla Rebay, Portrait of a Woman, Paper Collage, ca. 1930s

Hilla Rebay

Portrait of a Woman, Paper Collage, ca. 1930s
Collage
17 3/5 × 14 in / 44.7 × 35.6 cm
$ 12,000.00
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German avant-garde artist and champion of non-objective painting crates a highly stylized portrait using collage elements. br Signed lower left. Unframed. br Hildegard Anna Augusta Elisabeth Freiin Rebay von Ehrenwiesen,...
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German avant-garde artist and champion of non-objective painting crates a highly stylized portrait using collage elements. br Signed lower left. Unframed. br Hildegard Anna Augusta Elisabeth Freiin Rebay von Ehrenwiesen, known as Baroness Hilla von Rebay or simply Hilla Rebay was the co-founder of the Museum of Non-Objective Painting\\u002F Solomon R. Guggenheim Museum in New York - She was also an avid painter\\u002F artist and art collector. In March 1913, Rebay was exhibited alongside Archipenko, Brâncuși, Chagall, Robert Delaunay, Gleizes, Diego Rivera and Otto van Rees at the Salon des Indépendants in Paris. This work "Portrait of a Woman" is done with thin strips of cut paper and she assembled them to do a collage. The work is signed in collage lower left. Work is lightly attached to a supporting piece of paper. Toning and yellowing of the paper throughout. unframed
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Private Collection

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