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Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Jean, Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926

Jean

Portrait of Dorothy Thompson as a Child (The Wild Rose), 1926
Oil on Canvas
40 × 30 in / 101.6 × 76.2 cm
$ 17,000.00
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A charming portrait of a beautiful blue-eyed girl in a pink dress holding flowers in her hand. It is based on Renaissance portraits where the subject is pushed to the...
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A charming portrait of a beautiful blue-eyed girl in a pink dress
holding flowers in her hand. It is based on Renaissance portraits where
the subject is pushed to the foreground and in the distant background,
you see a landscape. It appears as if Raphael's "The Madonna of the
Pinks" served as a reference point for the treatment of the hands
holding a rose and also the color scheme. Jean Mclane / Maclane's work
certainly suggests a close resemblance to the style of Robert Henri.
She based all of her work on sound academic training. Henri however,
had a richer paint surface. This work is quite beautiful to look at with
a charming sitter but it has been slightly over-cleaned and all of the
magenta in the dress has been strengthened with in-painting. Signed and
dated lower left. Exhibited Guild Hall, East Hampton and The
Pennsylvania Academy of The Fine Arts 125th Exhibition - Label of both
on verso - Fair: slightly over-cleaned and all of the magenta in the
dress has been widely strengthened with in-painting. Additional in-painting in
the hair and mountains. Light craquelure is mostly in the background.
Yet with the conservation, the painting presents very well in person.
Close full details

Provenance

Doyle, New York

Exhibitions

Guild Hall, East Hampton and The Pennsylvania Academy of The Fine Arts 125th Exhibitio

Literature

N/A
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