Rose Cecil-Latham O'Neill
Kewpie Car. Hop On and Go to a Happy Place, 1916
Pen and Ink and Pencil on Paper
12 1/2 × 18 1/2 in | 31.8 × 47 cm
Copyright The Artist
$ 36,000.00
Further images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
-
(View a larger image of thumbnail 10
)
-
(View a larger image of thumbnail 11
)
-
(View a larger image of thumbnail 12
)
-
(View a larger image of thumbnail 13
)
-
(View a larger image of thumbnail 14
)
-
(View a larger image of thumbnail 15
)
-
(View a larger image of thumbnail 16
)
-
(View a larger image of thumbnail 17
)
-
(View a larger image of thumbnail 18
)
This may be the happiest drawing ever. At least that was female trailblazing artist Rose O'Neill's intention. After 110 years, it still lifts viewers' moods. Hop on the Kewpie Car...
This may be the happiest drawing ever. At least that was female
trailblazing artist Rose O'Neill's intention. After 110 years, it still
lifts viewers' moods. Hop on the Kewpie Car and let's go to happyland.
O'Neill creates a graphic masterpiece of Kewpies. Each has a different
identity and plays a different role. They are jammed together in a
swarm, acting as ambassadors of goodness. Rarely does a work of art so
original in concept and enduring in its appeal come to market. Signed
lower right, framed under glass, 24 x 17.25, Good Housekeeping magazine
editorial department ink stamp verso.
trailblazing artist Rose O'Neill's intention. After 110 years, it still
lifts viewers' moods. Hop on the Kewpie Car and let's go to happyland.
O'Neill creates a graphic masterpiece of Kewpies. Each has a different
identity and plays a different role. They are jammed together in a
swarm, acting as ambassadors of goodness. Rarely does a work of art so
original in concept and enduring in its appeal come to market. Signed
lower right, framed under glass, 24 x 17.25, Good Housekeeping magazine
editorial department ink stamp verso.